“I Can’t Remember Love,” the melancholy piano-driven track from the limited series’ sixth episode, garnered attention from audiences not long after the show debuted on Netflix last October. Below, IndieWire premieres an exclusive music video for the song, which was performed by Anna Hauss, who co-wrote the music with Robert Wienröder. William Horberg, lyricist and “The Queen’s Gambit” executive producer, previously told IndieWire he suggested that Hauss sing the song live in the background of Episode 6, and wanted to include her performance in the series....

After more than two hours and plenty of R-rated gags, James Gunn’s “The Suicide Squad” ends on a high note, with some caveats. The so-called Suicide Squad, while somewhat fractured, has emerged victorious against most of its foes (a crazy coup in the fictional country of Corto Maltese, and also a large starfish-shaped alien named Starro), has cemented its relationships (particularly that of Margot Robbie’s Harley Quinn and Idris Elba’s Bloodsport), and gotten a little bit wiser about the very people who control their fates....

A socially conscious “Scream” riff about a killer who takes cancel culture into their own hands (with the help of a taser gun and a very large knife), Patrick Brice’s “There’s Someone Inside Your House” strives to modernize slasher movies for the social media age by suggesting kids today are more afraid of being found out than of being filleted alive. Sure, the stab-happy serial murderer stalking this film’s extremely diverse cast of rural American high schoolers is willing to slit some throats at the end of the night, but it’s their bloodlust for accountability that gets them out of bed in the morning....

It’s a problem that “This Is Pop” manages to avoid. The eight-part series, newly available on Netflix after airing on CTV in Canada earlier this spring, keeps a tempo worthy of its wide array of subjects. Ranging from bubblegum pop of the ’60s to the British radio output of the mid-‘90s to the current and eternal existential debates about the nature of country music, “This Is Pop” keeps moving itself along....

The message on TIFF’s website reads, “The filmmaker has withdrawn this film due to rights issues. We apologize for any inconvenience. Current ticket holders will receive an email from TIFF Customer Relations with information on their purchase.” Directed by Vera Drew, “The People’s Joker” is not licensed by DC or Warner Bros. Representatives for the film had no comment. IndieWire reached out to Warner Bros. Discovery representatives as well. A source close to the matter told IndieWire that Warner Bros....

“When I joined the team, it was [with] the intention of making sure the festival made space for queer representation, and making sure that their stories were not limited to queer bubbles, that they were being appreciated by mainstream audiences as well,” said Tribeca senior programmer Lucy Mukerjee. “There is still a lack of support in the industry for our stories, but it makes it even more triumphant when we do find really impressive pieces of cinema....

Those are some of the findings from the latest study from the USC Annenberg Inclusion Initiative, which was released Wednesday. Titled “Inclusion in the Director’s Chair: Analysis of Director Gender & Race/Ethnicity Across 1,500 Top Films from 2007 to 2021,” the study reveals that early-pandemic gains in behind-the-scenes equity has continued and that streamers are leading the effort to hire Asian, Black, Latino, and multiracial directors. The study primarily looked at the highest-grossing theatrically released fictional films from the last 15 years....

The study, “Forever Changed: COVID-19’s Lasting Impact on the Entertainment Industry,” was conducted by the agency’s data and analytics division, UTA IQ. It surveyed a nationally representative sample of 1,000 U.S. adults ages 18-54. Its key findings suggest that consumers plan to watch more TV and movies across more platforms and more genres in their post-pandemic lives, compared to their habits prior to the pandemic. Consumers also expect more diverse storytelling and a more participatory relationship between them and the TV and film and celebrities they admire....

The “How to Get Away with Murder” alum called the role “almost impossible” to perfect, from facial expressions and mannerisms easily comparable to the real-life former (and living) First Lady — more so than co-star Michelle Pfeiffer or Gillian Anderson’s respective portrayals of the late Betty Ford and Eleanor Roosevelt. “People know how they walk, how they talk and how they hold their pearls, so it’s very difficult,” Davis said of playing Obama opposite co-star O-T Fagbenle as Barack Obama during an interview with BBC....

That left a more routine week on the charts we follow, although some recent releases got attention as they made their first appearances. But price reductions, led by “F9” (Universal), were also important. The latest entry in the “Fast” series, which opened in domestic theaters in early June, and then at $19.99 on PVOD in late July, just had its price cut to $5.99 (consistent with the timing of past Universal moves)....

Here’s the official synopsis: “In ‘Wander Darkly,’ a traumatic accident leaves a couple, Adrienne (Miller) and Matteo (Luna), in a surreal state of being that takes them on a disorienting journey through the duality of their shared moments. By reliving fond recollections from the beginning of their romance while also navigating the overwhelming truths of their present, they must rediscover the love that truly binds them together. Writer/director Tara Miele offers a profound new perspective on the delicate nature of relationships with this emotionally moving story about a couple who must reflect on their past in order to face their uncertain future....

“Will we have a sequel to ‘Dune?’ If you watch the movie you see how it ends,” Sarnoff said when asked about “Dune Part 2” happening. “I think you pretty much know the answer to that.” Villeneuve is also working with WarnerMedia on a “Dune”-focused television series for HBO Max centered around the group of women characters known as the Bene Gesserit. Villeneuve has been saying in multiple interviews in the lead up to the U....

While “Wonder Woman 1984” was the first major Warner Bros. feature to be released in theaters and on HBO Max on the same day, the first 2021 movie to get that hybrid release treatment is “The Little Things,” a crime thriller starring a cast of Oscar winners. Denzel Washington plays a grizzled ex-LAPD detective who becomes embroiled in the hunt for a serial killer that goes terribly wrong and forces him into exile....

With David Fincher’s long-awaited “Mank,” about screenwriter Herman J. Mankiewicz’s quest to finish the screenplay for “Citizen Kane,” finally on Netflix, this weekend’s a great time to revisit the director’s other work. You can take a look at David Ehrlich’s ranking of all of Fincher’s films here, and read on to find out where to watch them all below. “Alien³” (1992) Sigourney Weaver returns as Ellen Ripley in this 1992 film that turned the “Alien” movies into a franchise, and also served as 27-year-old Fincher’s first big-budget studio directing gig....

“Mike Tyson: The Knockout” offers a ringside seat into the highs and lows of a legendary boxing career. The two-part documentary premieres on ABC on Wednesday at 8 p.m. ET, but if you miss the live airing, you can catch it on Hulu the following day. The four-hour documentary chronicles Tyson’s “climb, crash, and comeback,” and details everything from his tough childhood to reaching world champion status. The documentary also covers Tyson’s 1992 rape conviction and personal struggles....

The festival’s online component, Tribeca At Home, will allow anyone in the U.S. to stream over 100 features, plus shorts and VR experiences between June 9 and 23. That includes films from the main festival lineup, like Josef Kubota Wladyka’s “Catch the Fair One,” executive produced by Darren Aronofsky; selections from the canceled 2020 festival, like Michèle Stephenson’s “Stateless”; and online premieres like “Being BeBe,” Emily Branham’s documentary about the first “RuPaul’s Drag Race” winner....

In a new teaser trailer for “Weird: The Al Yankovic Story,” Radcliffe belts “Like a Surgeon,” a riff on Madonna’s “Like a Virgin,” and swigs whiskey onstage. The shirtless (and ripped) Radcliffe already made headlines for his transformation into Weird Al, complete with a mullet and Hawaiian attire. The first look images made (curly-haired) waves with Radcliffe’s campy take on Weird Al’s unprecedented style. “Anyone got an accordion?” Radcliffe as Weird Al says in the teaser....

Of course, even that notion has not been one size fits all. Then again, not everyone owns a major SVOD service. Sony, which does not have its own streaming service (one could argue that Sony effectively freelances for Netflix at times), is still committed to an exclusive theatrical window, though its length has proven to be a sliding scale based on project and performance. In general, Universal Pictures and Focus Features have both vowed 17 days (three full weekends) of theatrical exclusivity — or 31 days (five weekends) if the movie opens north of $50 million....

The third “Fantastic Four” reboot, and first as a Marvel-owned property, has already lost one director and seemingly gained a new star. The gasps were audible in theaters around the world as (spoilers) John Krasinski was revealed as Reed Richards aka Mr. Fantastic, “the smartest man in the world” and leader of the Illuminati. We already knew that a new “Fantastic Four” film was in the works thanks to a 2021 promotional video for upcoming Marvel titles that included the “Fantastic Four” logo after Disney acquired the 20th Century Fox property....

Being an average American woman means that Hupp is not the size of an average Hollywood actor. But instead of casting a performer that might accurately embody the role, we have Zellweger in a fat suit and calling it character building. The industry seems to be doubling down on pretending fat women don’t exist. (In this piece, fat will be used as the descriptor it is, rather than the pejorative it has become....