Before embarking on the costumes themselves Canonero discussed how Coppola brought her a box of Ladurée macarons. The delightful macarons weren’t just a gift for the project they were about to embark on, but were meant to inspire the color palette for the film. Coppola explained that she meant a long time at the Costume Institute at the Met to look at dresses from Marie Antoinette’s historical period, taking note of how vibrant they were in comparison to the more muted paintings....

Much has been made over “Succession’s” love for literary references. From the poem that’s inspired titles for each of the three finales, to the HBO series’ many ties to Greek mythology, showrunner Jesse Armstrong and his incredible team are always eager to pay their respects to the master storytellers who preceded them — including, in Season 3, Stan and Jan Berenstain. Just take a look at the opening lines of their 1986 children’s book “The Berenstain Bears and Too Much Birthday....

Per HBO, this season’s official logline hints at lots of drama to come: “Ambushed by his rebellious son Kendall at the end of Season 2, Logan Roy begins Season 3 in a perilous position, scrambling to secure familial, political, and financial alliances. Tensions rise as a bitter corporate battle threatens to turn into a family civil war.” This new look at Season 3 delivers plenty of classic Roy moments featuring your favorite cast members, including Sarah Snook as Shiv, Kieran Culkin as Roman, Matthew Macfayden as Tom Wambsgans, and Nicholas Braun as Cousin Greg....

This year’s program includes plenty of familiar names, with new films from Nicole Holofcener, Ira Sachs, Brandon Cronenberg, Sebastian Silva, Cory Finley, Justin Chon, Nicole Newnham, Maite Alberdi, Roger Ross Williams, Sophie Barthes, Lana Wilson, Davis Guggenheim, Rebecca Zlotowski, Anton Corbijn, and many more. Notable actors at this year’s festival range from Jonathan Majors in “Magazine Dreams,” Daisy Ridley in “Sometimes I Think About Dying,” and Sarah Snook in midnight opener “Run Rabbit Run....

“I’m sort of original recipe, the Rob Cohen original,” Nolan said when asked about his favorite “Fast” movie. “But I’ve got a very soft spot for ‘Tokyo Drift’ actually. And Justin Lin’s iterations, as they got crazier and bigger and crazier and bigger they became something else, but something else kinda fun. The fun thing about those [‘Fast and the Furious’] movies is even as they’ve gotten bigger and bigger, as sequels have to do — everyone always complains that sequels get bigger, but we are the people making sequels get bigger....

Here’s the synopsis from Showtime: “‘Super Pumped’ tells the story of one of Silicon Valley’s most successful and most destructive unicorns, Uber. Pivoting on Kalanick, the Showtime series will depict the roller-coaster ride of the upstart transportation company, embodying the highs and lows of Silicon Valley. Even amid the radical upheaval generated within the global tech capital, Uber stands out as both a marvel and a cautionary tale, featuring internal and external battles that ripple with unpredictable consequences....

Per Lifetime’s synopsis: “On the anniversary of disgraced financier and alleged sexual predator Jeffrey Epstein’s death, Lifetime will debut the revealing investigative documentary as a two-night, four-hour event telling the stories of eight survivors with insights from those close to him. The four-hour doc investigates the billionaire New York financier who is alleged to have used his connections to the rich and famous to shield his predatory behavior with young girls....

“I wrote a ‘Star Trek’ with Tarantino, and that was a sci-fi script on which I could have fun and lean into some bigger, broader things,” Smith said. “Kirk is always just so fun. Tarantino and I had so much fun with him, because Kirk is just William Shatner, y’know? It’s like: you’re not sure who is who, so you can kinda lean into that. Because you watch Chris Pine and he’s playing Kirk, but he’s also playing William Shatner a touch....

The fish are dying from pollution, the bees are disappearing, and the milking cows are not far behind, not unlike the beginning of Douglas Adam’s “Hitchhiker’s Guide to the Galaxy.” And like the 2005 adaptation of the book, the lamentations of the animals is presented in song form, with the fish and cows singing woes of death and despair, begging for their suffering to serve some larger purpose. As the fish start dying in a river in the south of Chile, a woman (Mía Maestro) emerges after being dead for decades....

“Princess Diana’s spirit, her words and her actions live in the hearts of so many,” Elizabeth Debicki said. “Her actions live in the hearts of so many. It is my true privilege and honor to be joining this masterful series, which has had me absolutely hooked from episode one.” Series creator Peter Morgan originally intended for the now-extended series to end with Season 5. For the upcoming fourth season, Emma Corrin will play a young Diana, who was born in 1961....

“We’ll make more money with an hour of news at 10 than we do with an hour of network programming where, a) we have all the inventory and, b) I would expect if NBC goes from 89 hours a week of network-programmed time to 81 or 82 hours a week of network-programmed time that we’d pay them less,” he continued during the Q&A portion of Nexstar’s third-quarter earnings conference call....

That simple avoidance of painting this whole tale with a single brush is one key way that director Simon Stone zags against some of the standard pitfalls of historical retellings. (Though, to be clear, the film is not without at least one literal pit fall.) Based on the 2007 John Preston novel of the same name, “The Dig” also takes its cues from the details surrounding the 1939 Sutton Hoo discovery, which found centuries-old remnants of a past civilization buried beneath unassuming mounds on the property of Edith Pretty (Carey Mulligan)....

Set in 1890, the series focuses on aristocratic Englishwoman Lady Cornelia Locke (Blunt), who journeys to the American West seeking revenge for the man she blames for the death of her son. While on her journey, she encounters a Pawnee ex-cavalry scout Eli Whipp (Chaske Spencer), who is on a similar quest for revenge, and joins up with him to accomplish both of their goals. Their quest ultimately takes them to the newly established town of Hoxem, Wyoming, where a series of unsolved murders has taken place, and ultimately causes them to discover a surprising connection with each other from their pasts....

If “The Paper Tigers” sags around the middle and loses its focus as it limps towards a finale that doesn’t hit with the force that it should, well, perhaps that’s to be expected from a martial arts movie whose heroes can’t throw a punch without pulling a muscle. Tran establishes his old-school Kung Fu bonafides right from the jump, as the action kicks off with a shadowy prologue in which the great Sifu Cheung (Roger Yuan, whose natural gravitas lends this film some much-needed heft) is killed by an assassin’s deadly palm technique in the alley behind the Chinese restaurant where he works these days....

“The Slow Hustle” details the mysterious death of veteran Baltimore police officer, Detective Sean Suiter. As the film lays out, Suiter’s death is just one in a string of corruption claims against Baltimore PD, with Suiter himself marked as a key witness in an upcoming trial. As the various journalists, family members, and others associated with the case lay out, the desire was to sell Suiter as another bad apple in order to get the story squashed....

Vinterberg’s career has weaved and bobbed over the years, but he’s hardly a newcomer to the Oscar season blitz: Vinterberg’s 2012 thriller “The Hunt” was nominated seven years ago, and “Another Round” reunited him with that movie’s star, Mads Mikkelsen. Here, the actor plays a high school teacher who joins a couple of pals in attempting to drink booze throughout the day to evade their midlife crises. The movie oscillates between dark comedy and tragedy, with a woozy sense of determination steeped in the tragic backdrop to the project....

A bittersweet modern fairy tale from one of cinema’s most bombastic virtuosos, George Miller’s “Three Thousand Years of Longing” might have some reservations about the 21st century — the movie often wrestles with the impact that science and technology might have on our ancient sense of wonder — but at the bottom of this tightly bottled epic sits a question that should resonate especially hard with people who have spent too many of the last 3,000 days stuck inside their homes with nothing but “content” to keep them company: Are stories enough to satisfy our lives?...

Their significant difference is Chalamet stands at the threshold of a major career. By the same point in his own work, DiCaprio could have retired and be considered an iconic star. None of this diminishes Chalamet’s significant achievements, but it highlights differences in their eras. “Bones and All” is no “Titanic” (not that anything is). The best-case scenario for this $16 million-budgeted drama is a breakout, not a blockbuster. Guadagnino (“Call Me by Your Name,” “Suspiria”) has established a reputation for edgy, R-rated films with significant (and stylish) sex and violence....

Written by celebrated British screen scribe and playwright Dennis Kelly (creator of “Utopia,” and co-creator of “The Third Day” and “Pulling”), the film “is the story of a family, like so many, who found a way to survive — together. This hilarious and heartbreaking story intimately shows two partners forced to re-evaluate themselves and their relationship through the reality of lockdown,” according to the official synopsis. Horgan is beloved for her work in front of the camera and the creative force behind series like “Pulling” (which she co-created with Kelly), “Catastrophe,” “Divorce,” and “This Way Up,” among many more....

Tom Cruise waited until they could do it right. Tom Cruise labored for years figuring out the right script (maybe with some help from mssrs. Christopher McQuarrie, Eric Warren Singer, and Ehren Kruger?), as well as the best time and place to execute. (By the way, the movie is a riveting, taut, and hugely entertaining E-ride.) And of course, Cruise insisted that the studio wait to release the movie in theaters....